horizontal barLesescenario (1928) by Benjamin Fondane. Translated by Quimby Melton.
Michael Jacobson Interview"I start my novels at the semantic beach, where meaningful and meaningless language converge. I'm particularly interested in exploring the moment when a simple line on a page begins to have meaning, when the content of a gesture is sufficient to scream, 'I exist!'"
"Banal Story": A Hypermedia Critical EditionA reading of the overlooked -- and atypical -- Ernest Hemingway short story, a critical bibliography of relevant secondary sources, and a remixed "all text" edition of the story itself.
SCRIPTjr.nl ResourcesThe definitive collection of resources dedicated to asemic writing and other marginalized script forms
eyes wide openLesescenario (1928) by Benjamin Fondane. Translated by Quimby Melton.
Remote ViewingObservations Inspired or Furthered by And They Were Two In One And One In Two
1001 Film ScenariosSelections from a proposed chapbook
The Strangeness of Realism vs. the Realism of the StrangeThemes in Synecdoche, New York
Lesescenarios, closet drama, and the (screen)writer's riposteOn the "closet screenplay"
FRANK SINATRA GOES FLAT (1953) If asked, Frank and Suzie wouldn’t singe, or aim. It didn’t matter by the sky, Frank and Suzie took ...
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—and so, we do recommend that every o, said “Horse”’s big cab-dash hot radio. Driver “Horse”’s hitchhacker Flaxman hugged the cab door beginning to nod ...
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As nothing seemed to be meant for him there near-panicky Kevin tore his attention to a similar reapersquare in what must have been the other ...
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At the Lent diner counter the studious waitress read with interest some kind of testimony from some apparent somebody, though anonymous, namely a Christian writer ...
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—not Miss Sweetie, No, no; she is only yours. Yes only yes only yes only yes. Worry, worry, worry and worry, why worry when what’s ...
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