"Banal Story": A Hypermedia Critical EditionA reading of the overlooked -- and atypical -- Ernest Hemingway short story, a critical bibliography of relevant secondary sources, and a remixed "all text" edition of the story itself.
The Strangeness of Realism vs. the Realism of the StrangeThemes in Synecdoche, New York
horizontal barLesescenario (1928) by Benjamin Fondane. Translated by Quimby Melton.
eyes wide openLesescenario (1928) by Benjamin Fondane. Translated by Quimby Melton.
Remote ViewingObservations Inspired or Furthered by And They Were Two In One And One In Two
Michael Jacobson Interview"I start my novels at the semantic beach, where meaningful and meaningless language converge. I'm particularly interested in exploring the moment when a simple line on a page begins to have meaning, when the content of a gesture is sufficient to scream, 'I exist!'"
1001 Film ScenariosSelections from a proposed chapbook
Lesescenarios, closet drama, and the (screen)writer's riposteOn the "closet screenplay"
SCRIPTjr.nl ResourcesThe definitive collection of resources dedicated to asemic writing and other marginalized script forms
- TypEmotion Exhibition (“Script Films” / “Schriftfilme”)
The exhibition "TYPEMOTION" leads to places in which we encounter moving script: artistic productions, but also feature films, advertising, music videos or media facades in ...
- Asemic Germ Flick from MK JCBSN
- Confession of Error by Volodymyr Bilyk
Confession of error I like to do submissions. The very nature that word got something sticky and addictive. One-armed bandit play is fairly accurate description ...
by Nuno de Matox
- Ase Ase Tse Te Se from Volodymyr Bilyk
Lost in music. In the course of recording In a Silent Way - Miles Davis asked John McLaughlin to play guitar "as though you didn't ...
- SCRIPTshop is coming soon.
The SCRIPTshop will sell SCRIPTjr.nl swag as well as asemic art and texts published under the postSCRIPT imprint. If you're interested publishing work under the imprint or listing asemic art for sale, please contact the editors.