horizontal barLesescenario (1928) by Benjamin Fondane. Translated by Quimby Melton.
1001 Film ScenariosSelections from a proposed chapbook
Lesescenarios, closet drama, and the (screen)writer's riposteOn the "closet screenplay"
Remote ViewingObservations Inspired or Furthered by And They Were Two In One And One In Two
"Banal Story": A Hypermedia Critical EditionA reading of the overlooked -- and atypical -- Ernest Hemingway short story, a critical bibliography of relevant secondary sources, and a remixed "all text" edition of the story itself.
SCRIPTjr.nl ResourcesThe definitive collection of resources dedicated to asemic writing and other marginalized script forms
The Strangeness of Realism vs. the Realism of the StrangeThemes in Synecdoche, New York
Michael Jacobson Interview"I start my novels at the semantic beach, where meaningful and meaningless language converge. I'm particularly interested in exploring the moment when a simple line on a page begins to have meaning, when the content of a gesture is sufficient to scream, 'I exist!'"
eyes wide openLesescenario (1928) by Benjamin Fondane. Translated by Quimby Melton.
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